Nick Robinson stars as Simon, a teenage with a lot on his mind. Adult audiences may be best equipped to judge the movie based on what it would have meant to them had it come out when they were teens, which is: Sign Up for Our Newsletters Sign up to receive the top stories you need to know now on politics, health, money and more. Movies that integrate those stories are ones worth anticipating with relish. Love, Simon feels like a film responding to an entirely different culture, like one in which gay marriage was never legalized.
Young queer people in bad situations, for whom it could represent a meaningful piece of affirmation, might well find its stabs at relatability fairly ludicrous.
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Kids like Simon, inalready have a good shot of fitting in. But those films are all squarely aimed at adults. The former relentlessly teased its lone queer office drone; the latter, a liberal-minded comedy, paused the action for a lengthy sequence of mean gay jokes. The new movie Love, Simon represents something new: A milestone that feels overdue—the first mainstream teen comedy foregrounding a gay character—may have been outpaced by real life. Love, Simon is a corrective to that, presenting a universe in which being gay is, finally, O.
As Simon, Robinson is both effortlessly charming and brusquely masculine in the way of teenage boys. Love, Simonby contrast, simply feels like looking back in time. But neither he nor his email pen pal are out, and both struggle to articulate what seems to Simon—in spite of endless social advantages and a nurturing, liberal-minded family—impossible to say out loud. Movies that integrate those stories are ones worth anticipating with relish. Adult audiences may be best equipped to judge the movie based on what it would have meant to them had it come out when they were teens, which is: